KRK Rokit 8 G4 vs Yamaha HS8

For years, both experienced producers and audio engineers have depended on studio monitors to provide them with exact details needed to make crucial mixing decisions. If you’re dreaming to become one of the professionals, you might also begin searching for your desirable studio monitor. Or maybe your oldest one is ruined and you’re searching for something reliable and versatile to work with.

KRK Rokit 8 G4 and Yamaha HS8 are two of the best monitors in the market you should absolutely look for. These two monitors were released way back and are still dominating the scene. As both of them are so well-recognized, people sometimes get confused while being unable to decide which one is the best for them.

Undoubtedly, those two studio monitors are not quite similar in nature; they are utterly different in most of the areas. The Yamaha HS 8 is renowned for offering your music accurate and authentic depictions and that’s why they prove so successful. By comparison, KRK Rokit 8 G4 offers you excellent sound audio as well as comprehensive bass efficiency.

KRK Rokit 8 G4

If you used the monitors before, you’ve already heard about the company named KRK. KRK has been the professional’s option for mixing and mastering various kinds of sounds across the globe for over a while now. The current ROKIT G4 (Generation 4) is now fully revamped and updated, which has extended and improved the legacy for which ROKITs are famous.

Yamaha HS8

By blending gained experience and skills with sound technology, Yamaha has come up with the new studio monitor series HS. Their newest item Yamaha HS 8 studio monitors are promising to substitute their much-loved NS10 studio monitors. Many professional audio engineers are very fond of this product for its stunning but accurate response which is essential for mixing.

KRK Rokit 8 vs Yamaha HS8: Similarities Table

 KRK RokitYamaha HS8
Amplification TypeActiveActive
Crossover Channel Qty2-way2-way
Power ConfigurationBi-ampedBi-amped
LF Driver Size8" Woofer8" Woofer
HF Driver Size1" tweeter1" tweeter
LF Driver TypeKevlar coneKevlar cone
HF Driver TypeDomeDome
Crossover Frequency2kHz2kHz
Maximum Peak SPL111 dB111 dB
Input Types1 x XLR, 1 x 1/4" TRS1 x XLR, 1 x 1/4" TRS
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It’s clear here that, in numerous basic aspects, both monitors are almost the same.

Driver Size

The size of the monitor you require depends on the size and conscious preference of the location you like to have it in. Studio monitors come in many different sizes. If you are mixing and refining bass-oriented tracks, it might be more fitting to get a bigger speaker that creates a punchier and more comprehensive low-end.

In this situation, both of the monitors have an 8-inch woofer and a 1-inch tweeter. If you’re in a larger control room of sorts you could be better off pushing more air with 8-inch speakers. And the size of the drivers does matter. The bigger the driver is the higher performance of audio it offers.

Power Configuration

Bi-amped studio monitors have one amplifier for the low frequencies and a second amplifier for middle and high frequencies. These studio monitors allow users to take advantage of the strengths of each amplifier in its interaction with the drivers.

Both of the monitors, KRK Rokit and Yamaha HS8, have two amplifiers to get the best performance from the least amount of current.

Maximum Peak SPL

SPL refers to Sound Pressure Level. And is calculated in dB (Decibels). The MAX SPL is how loud (in dB) the output tone of a speaker is at 1 meter of the listening range. This is measured using two parameters, a response level for a speaker and the overall capacity value (Watts).

As you’re listening to everything at the same SPL, your brain can evaluate the levels more precisely. You will get even simpler to determine whether anything is not appropriately balanced and in turn, would not only make your mixing choices more precise but also much smoother.

The Maximum Peak SPL of both of the devices is exactly the same, 111dB. It’s quite good considering the other factors for a studio monitor and easier for a mixer to get a proper evaluation.

Crossover Frequency

A speaker crossover frequency is used to improve power efficiency and reduce the speakers and bass costs. A crossover acts as a barrier that separates a speaker or a studio monitor from undesirable frequencies. This is particularly helpful because it helps one to give the group of frequencies directly to each speaker so it can perform more reliably and effectively.

KRK Rokit 8 G4 and Yamaha HS 8 both have 2 kHz crossover frequencies which are quite incredible for a studio monitor and enough to stop from damaging.

KRK Rokit 8 G4 vs Yamaha HS8: Differences Table

 KRK RokitYamaha HS8
LF Driver Power Amp75W135W
HF Driver Power Amp45W68W
Dimensions15.4"H x 9.8W x 13.1"D15.75"H x 10.47"W x 12.17"D
Frequency Response38Hz-38kHz43Hz - 40KHz
Input Impedance5.12KΩ10KΩ
Power Output203 Watts120 Watts
Enclosure TypeRear PortedFront Ported
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As you can see, some features are entirely different if we compare these two giants, KRK Rokit 8 G4 and Yamaha HS8.

Frequency Response

Frequency Response or frequency range tells you how low or high the speakers can play. The lower the number goes, the deeper and detailed the bass sounds. Any monitors that reach 50Hz or lower are considered reasonable.

The frequency response of Yamaha HS 8 is quite impressive with a range going from 38 Hz to 38 kHz. On the other hand, KRK Rokit 8 G4’s frequency response ranges from 43Hz to 40 kHz. Therefore, HS 8 can perform more detailed bass and accurate sound.

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Input Impedance

Input impedance is another critical specification that should be given importance. Your speaker should neither have high nor low impedance, 6-8 ohms impedance rating is viewed as ideal. The speaker that has high impedance needs more current, and the sound becomes weaker when the required impedance is not found. Low impedance damages the speaker by overheating.

Yamaha HS 8’s input impedance is 10 ohm, so it needs a fair amount of current to play loud. On the contrary, KRK Rokit 8 G4’s impedance is quite good, approximately 5.12 KΩ.

Power Output

Although it’s typically not as much of a problem for studio circumstances, the capacity of the studio monitors, calculated in watts, might be a necessity for larger rooms or studios in particular to remember. For a bedroom or home office-sized studio, 10-60 watts should usually be enough.

Both of the monitors have excellent power output, though Rokit 8 has better power output than HS 8.

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Why Should You Love Yamaha HS 8?

  • Active studio monitor
  • An accurate and realistic description of the sound
  • Wide-range frequency response 38Hz to 38 kHz
  • Drivers of bi-amps
  • Operates in all kinds of rooms
  • Competitive prices
  • Sublime sound performance
  • The structure is robust and long-lasting.
  • Does not need an amp, since the noises are loud and simple.

The Places to Improve for Yamaha HS 8

  • Suitable just for wide spaces, since it may be too noisy for small quarters.
  • Mid-range bass overpowering
  • Needs amp for large volumes

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Why is KRK Rokit 8 G4 So Popular?

  • Kevlar woofer and tweeter;
  • Fantastic choices for tuning
  • The dynamic tone in all frequencies;
  • Benefit for cash
  • Modern design;
  • Mid-range is pretty fine

The Other Side of KRK Rokit 8 G4

  • Sound signature not completely flat
  • Mids aren’t overly impressive
  • Not suitable for EDM

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Which One Is The Best?

People have always been debating about both of these monitors for a long time. However, in the end, the Yamaha HS series always sounded better than the Rokit series. It doesn’t mean the Rokit series is actually bad, but in overall experience and features, the Yamaha HS series has undoubtedly an upper hand. The Rokit series also provides a lot of features to their customers, but are not reliable enough.

If the budget is a big consideration then the KRK monitors win hands down, they can be picked from various outlets for a much cheaper price. Nevertheless, professionals love to use it because of its natural sound and true representation. Quality-wise, HS 8 offers you the most outstanding performance.

As you probably already know, a studio monitor’s function is to send you the most realistic image of the sound in your mix. The often critical remarks about the vibrant low-end frequencies of KRK Rokit 8 G4 showed so many times that they were not quite up to the task. If you’re searching for 100 percent reliable sound replication, you may go for none other than Yamaha HS 8. Likewise, the Yamaha HS8 wins within a big margin if you’re searching for a more bass-boosted sound. On the other side, the KRK Rokit 8 G4s deliver a more structured tone even though it’s not fully smooth.

If you want reliability and a validated product then the Yamaha HS 8 would be a strong alternative for you. It is compatible with all sorts of music styles, and would never mislead you. However, if you’re searching for a display with modern-day technology at a decent price then we’ll be swaying towards the KRK Rokit 8 G4.

In the end, if you want me to choose an option based on all the factors, I have to go with Yamaha HS 8 over KRK Rokit 8 G4.


What’s Required to Run Thee From a PC?

Usually, an audio screen and fitting cords are required. You can also explore Uaudio, Apogee, Focusrite, etc. for audio interfaces based on what you are doing, get the XLR / TRS cables. (2x).(2x).

Are All Cables Included in KRK Rokit 8?

No. IIRC, the audio cables are not provided, and you will have to pick the particular cables you require depending on whether you attach to these fantastic studio monitors.

Can These Speakers be Turned on And Off Automatically?

No, it doesn’t, it comes with an on and off button on the end.