If you’re a guitarist, you should use an amp to practice so that you can get better at playing in front of people. However, some people in your neighborhood may not be able to deal with the 150-watt noise next to their house. But don’t worry, we’re here to help you find the right answer.
The Best Amp for Bedroom will come in handy for every guitarist at some point in their lives. The good news is that there are so many alternatives to choose from that no matter what kind of guitar player you are, there is something on the market for you.
A lot of the Best Amp for Bedroom are here in this guide, from Marshall to Fender to Line 6. You’ll also find a lot of new, cutting-edge options from Line 6, Yamaha, and more. At the end of this guide, we’ve added some advice from experts on what to look for when you buy Best Amp for Bedroom.
The THR10II is available in two versions. One uses a plugin dongle to enable “wireless” operation. That’s a lot more expensive than the normal “non-Wi-Fi” version, costing well over $450 after the wireless dongle is added. The THR10II “non-wireless” version is what we’re choosing to focus on for the time being
The THR10II produces 10 watts of power. The sound is output in stereo, which Yamaha refers to as expanded stereo. That’s a nice feature on most desktop practice amps, especially for playback through the amp.
The amp is little, as you could imagine. Tiny enough to fit on a small side table or even a standard bedside table. It is only 6 pounds in weight (3kg).
With its antique radio style, the THR10II follows in the footsteps of preceding THR amps. When the amp is turned on, the power lamp behind the grill still illuminates. The power switch has been replaced with a button rather than a retro-styled switch.
The THR10II, like the other versions, is a modeling amp with eight different amp styles. There’s also a three-band EQ, which means there’s a lot of flexibility when it comes to shaping the amp styles.
The THR10II has a lot of functions for a little practice amp. Despite having to be efficient with their use of space on the top panel, I enjoy that it contains a three-band EQ. Overall, the THR10II delivers powerful, dynamic tones that belie its diminutive stature. Here are the highlights:
- However, it is portable and powerful.
- Bluetooth compatibility
- Cubase AI is included.
- Great sound
- Wireless capability
- Excellent recording tool
When compared to simple practice amps, small modeling amplifiers are often more expensive. They have a number of features that many guitarists find really handy, but they also have some flaws. Here are a few of the most egregious offenders:
- There is no support for footswitches.
- Too much of a tremolo effect
- Very Expensive
- Price: $450/£359/€415
- Type: Desktop modelling amplifier
- Output: 20W (15W on battery)
- Number of channels: 1 (5 user setting buttons for presets)
- Tubes: N/ASpeakers: 2x 3”
- Weight: 3.2kg/7.06lb
- Key features: Yamaha Virtual Circuit Modelling (VCM), 15 tube amp emulations, 3 bass amp emulations, 3 mic models for acoustic-electric, Bluetooth, USB w/2 channels for recording/playback, stereo headphone out, AC/rechargeable battery power (up to 6 hours playing time), 3-band EQ, 8 effects plus 2 reverbs, Cubase AI and Cubasis LE
When some overdrive is added to the Bass style, it generates a tone that breaks up and sounds fairly fuzzy. This can be done with either a guitar or a bass. The Acoustic style is for an electric-acoustic guitar with boutique microphone-like modeling. Because there is no amp or speaker modeling in the Flat style, it offers a natural tone. It’s ideal for attaching other instruments to the THR, like as keyboards.
On the THR10II, a simple peek at the right hand side of the top panel reveals how the on-board effects work. It’s essentially the same as the previous THR models, but I’ll go through it again for the uninitiated.
As you crank the “Effect” control knob from left to right, you’ll pass through “zones.” This knob is best described as being divided into sections. Each quarter has only one consequence. The more you crank the effect knob clockwise in each quarter, the more strong the effect becomes.
Chorus, Flanger Phaser, and Tremolo are the four effects assigned to the control knob. The first three are of good quality, with a variety of tones. The Tremolo effect, on the other hand, is something I despise.
The THR10II is not a low-cost practice amplifier. It does, however, come with a plethora of capabilities that belie its diminutive size as a small amplifier. There’s lots of room for experimenting with the 8 amp models offered, which can be sculpted by a three-band EQ and augmented by on-board effects.
There are five memory banks that make it easy to switch back and forth between your favorite settings. The Bluetooth connection lets you fine-tune the settings with the App. People can start recording with the included Cubase AI program by connecting their PC via USB.
There’s no support for a footswitch, which is usual with tiny amps but still a little annoying. It doesn’t have the most powerful output when compared to some of its competitors, but the stereo output is more than enough for most practice rooms.
Line 6 Spider V30 MK2
The Line 6 Spider V30 is a modeling amplifier with DSP technology that can deliver over 200 amps. An 8-inch speaker is incorporated within the amplifier, which provides full-range audio with the option of an auxiliary connection.
This is one flexible guitar amp, with access to all of these presets and 30 watts of power. The Spider V30 MK2 comes with Cubase recording software and has a decent sound quality.
You won’t want to record an album with this amp, but it’s wonderful for practicing in your bedroom. For such a little and inexpensive modeling amplifier, the sound quality is excellent! The built-in tuner on the Line 6 Spider V30 MK2 is a fantastic addition.
If you’re a complete beginner, this can be a big assistance as you learn how to tune. If you are a pro, you may feel assured that the tuner’s accuracy is quite impressive!
With over 200 different amp settings, effects, and so much more, this amp can produce a wide range of nice sounds. I stayed with the amp for a few days to give it an opportunity to show me what it was capable of.
The clean sounds were fantastic, I liked the crunch and high gain sounds, and applying effects to them was an overall enjoyable experience. Using the Spider V remote app made it simple and enjoyable to obtain good sound all around.
However, the bass content is a touch insufficient, which left me unsatisfied. You could be dissatisfied with the bass content if you’re coming from a higher-end amplifier.
In comparison to other amp modelers I’ve examined, the amp also sounds a lot more digital. Some presets don’t sound quite as digital as others, but it’s more evident than I’m used to.
For an amplifier in this price bracket, the effects on board sound fantastic! This amp has a lot of effects and other settings, which add to the fun factor.
It’s ideal for a beginner or as a practice amp, and it’ll give you everything you need to improve your technique. Overall, the sound quality is acceptable for the price.
Launch price: $220/£169/€177
Type: Digital modelling combo
Number of channels: 1Tubes: N/A
Speaker: 1x 8” woofer, 1x hi-frequency tweeter
Key Features: Effects, 128 presets, tuner, metronome, drum loops, Classic Speaker or Full-Range Speaker mode, USB, Spider V Remote app, CustomTone.com to download additional presets, 1/8” headphones output, aux in, optional Line 6 FBV 3 foot controller and GT10 wireless pack
- Great build and design
- Compact in size
- Built in metronome and looper
- Good, recorded sound from the amp
- Built in effects
- Lack in Bass
- Sounds Digital with Some presets
To begin, the Line 6 Spider V30 is a 16-pound combo amplifier that is 15 inches wide, 15.4 inches high, and 8.2 inches deep. It comes with a single 8-inch speaker housed in a compact wooden container with black tolex and matching edge protection corners.
All settings are accessible from the front of the amplifier and are mechanically sound, with modern-style knobs.
This amplifier features a color-coded control structure that makes it simple to operate and intuitive after a little practice. On the amp, there is an LCD screen that is used to cycle between the presets and is a good display.
On the front of the amplifier, the buttons and controls are structured in a clean, well-organized manner, offering the majority of what a musician will need. It can be connected to any iPhone or Android device, as well as an auxiliary input and the power switch, are located on the back of the amp.
It’s a closed-back amplifier that’s well-made, light, and small enough to transport easily.
I highly recommend the Spider V30 MkII as an excellent 30-watt practice amp with enough versatility and feature options to keep you driven. This combo delivers a punch in the bedroom or home studio with its versatile amplifier, intuitive controls, and easy-to-use effects and features. Despite the fact that this arrangement uses a modest 8′′ speaker and tweeter, it also contains a Classic Speaker mode that simulates a variety of organic sounds. You may also select the Full-Range speaker mode for acoustic instruments and jam track playbacks, so the Spider will give you alternatives right away for anything you need to accomplish with it.
A startling 200+ amps, cabs, and effects will keep you inspired on the job, while the 128 tone presets cover a wide range of classic to modern sounds.
There’s also a built-in guitar tuner and a digital metronome, as well as built-in drum loops, so you can get started right away. This amp employs a USB interface with a free Spider V Remote App and is compatible with the Line 6 FBV 3 Foot Controller. Mac, PC, iOS, and Android devices can all be used for editing and recording.
A bright, simple-to-use amp that covers a lot of ground. The Spider 30 Mk II is an exceptionally adaptable and friendly addition to the home recording or practice studio, whether performing clean, muddy, or a variety of colors in between. The settings are intuitive and easy to use, the speaker modes provide some great sounds when combined with the amp modeling and tonal presets, and if your sound needs to grow, there are no issues here.
There are a lot of outstanding electric guitar amplifiers under $500 on the market, and the Line 6 Spider V30 MK2 is one of them. It’s jam-packed with sounds, effects, and settings that will get you where you want to go!
You may modify the effects and set up amp patches for a variety of sounds with the bundled Spider V Remote software. Excellent for individuals who enjoy a lot of tinkering! If you need a practice or home amplifier, this is one to think about.
While this amplifier would be ideal for a novice, if you are a more experienced player, you may want to consider something else. The higher gain tones sound a little digital, and it also feels that way.
Many people use this amplifier and adore it because of its small size and excellent sound and features. If you’re intrigued, it’s worth you to take the risk because the price is unbeatable for such a versatile amp.
Fender Mustang LT25
The Mustang LT25 from Fender is a compact amp with an eight-inch speaker, a simple control panel, and a black-on-black finish with only a chrome Fender emblem on the grille cloth for ornamentation. It’s a low-key product. But because this is the Fender Mustang Series, there’s a lot going on underneath the hood.
There are 20 different amplifier types, 25 different inbuilt effects, a USB connector for recording, and an auxiliary input for playing along with your favorite music. That’s all you need for a beginner or a player wishing to polish their skills with something small, adaptable, and simple.
The Mustang LT25 is simple to use. The factory settings, which are a good place to start for most people, can be reached by scrolling through the encoder next to the control panel’s LED screen. Again, this is a terrific starting point, especially for novices, but tweaking and building your own is far more satisfying, and it’s as easy as pressing down on the encoder, scrolling through each category, and picking the amp models and affects you want.
The Mustang LT25’s key feature, which must have been discussed in R&D sessions at Fender HQ, is that it keeps you playing.
Sure, there are options, but they are both accessible and not so numerous that you become paralyzed by choice paralysis. The Mustang LT25 lets you to think of a tone and quickly get a good approximation of it, so you can get back to playing.
We adored the classic Fender Clean, as well as the deep distortion that can be dialed in. The sky is the limit when you combine modulation, filters, pitch-shifting, delay, reverb, and more with a thoughtful complement of effects.
This one has been pitched flawlessly by Fender. It can do a lot and give you a lot of change for only $200.
- Launch price: $149/£139/€160
- Type: Digital modelling combo
- Output: 25W
- Number of channels: 1Tubes: N/A
- Speakers: 1x 8”
- Weight: 5.7kg/12.75lbs
- Key features: 20 Amp Models, 25 Effects, 50 Presets (30 pre-loaded), chromatic tuner, USB, aux-in, foot switch, stereo headphone output
- Best for beginners
- Simple to use
- Wide tones
- Bigger in size
- No usb
The LT25 has a single channel that delivers 25 watts of power. It doesn’t have the conventional “clean” and “overdriven” or “distorted” channels, for example. An 8-inch Fender custom speaker, enclosed in a closed wooden cabinet, provides sound. The wood is then coated with textured black vinyl. Because the handle is recessed, there will be no fraying of the straps over time.
The control panel is made of plastic, and the control knobs are also made of plastic. They don’t feel very sturdy, but it’s an area where Fender has chosen to cut money. There’s a display window on the control panel that will show you selected patches as well as allow you to fine tune effects and amp types using the encoder wheel. The display window serves as a tuner as well.
As you’d expect from a practice amp, the amp is small. It is heavy, weighing in at 12.75 pounds / 5.7 kilograms. It is, however, not obstructively heavy.
You might be better off with something like the Boss Katana Air or the VOX Adio Air GT if you’re looking for something smaller. Just keep in mind that choosing a smaller amp will usually result in you losing some functionality.
With 25 watts of power, it’s a good practice amp, but it won’t keep up with a band. It’s a little bulkier than most other practice amplifiers, but it comes with a lot more functionality. If you don’t mind a little noise and won’t be using the LT25 for band rehearsals, this amp could be a good fit for you.
For newbies, the vast choice of effects and amp styles is ideal, as it eliminates the need for extra effects pedals, at least at first. I’m sad that the LT25 doesn’t support more buttoned footswitches, which I believe limits its utility. However, if you’re a beginner looking to transition between two patches, this won’t be a problem. Of course, you’ll also need to purchase the footswitch separately.
I appreciate that it can be connected to a computer. An key feature aspect is that. However, I’m disappointed that they don’t have a USB cable. I’m aware that they’re inexpensive and readily available.
Even if it has flaws, the pricing is ridiculously low when compared to the functionality. It’s truly ridiculously low-cost. If I hadn’t known the price, I would have estimated it to be far over $200. As a result, it has a ridiculously high worth. This is a great amp to consider if you’re just starting out and want a variety of amp types and effects for a reasonable price.
Blackstar Fly 3
The Blackstar Fly 3 is a compact amplifier with more functionality than most small amplifiers. This amplifier is worth checking out if you want something small and portable that you can take with you wherever you go and play even if there isn’t a power outlet nearby.
However, keep in mind that if you’re looking for an amp that can move a lot of air and keep up with a full band, this won’t be the best option.
Blackstar is a British firm with a solid following in the music world, having formed in 2007 and being launched by a group of ex-Marshall employees. Blackstar is well-known for its guitar amplifiers, carry-on guitars, and effects units.
Despite the fact that the brand is endorsed by well-known international bands such as Ozzy Osbourne and The Manic Street Preachers, their items are quite reasonable when compared to other brands such as Marshall and Fender.
If you’re considering purchasing the Blackstar Fly 3, we have all the information you’ll need to make an educated decision. By the end of the guide, you’ll have a few options for other amps of the same type that you might want to think about before buying your little amp.
- Launch price: $65/£59/€58
- Type: Battery-powered mini-combo
- Output: 3W
- Number of channels: 2
- Tubes: N/A
- Speakers: 1x 3”
- Weight: 0.9kg/1.98lbs
- Key features: Blackstar’s patented ISF function, 1/8” line in/headphones out, extension speaker socket for stereo expansion, 6.5V DC power supply or 6x AA batteries
- Value for money
- Tones that are impressive
- Large in size
- Not portable
With only 3 watts of solid-state power, you won’t be moving much air with this amplifier, even if you utilize pedals in front of it. In any case, you’re purchasing a small amplifier for reasons other than its volume output. It can still get loud enough to keep up with other musicians providing they aren’t overdriving their amps.
A tiny amp with two channels is a positive hint, as some versions only have one. You get a sound that is both pristine and overdriven. You can customize it with the ISF feature, which adjusts some frequencies based on what Blackstar sound specialists determined would sound best through the amp’s 3′′ Blackstar speaker. This knob is designed to switch between a British and an American tone, as well as several hues in between.
For its price and size, this amp’s distortion sounds really decent. It isn’t fizzy at all, and it can be used in a variety of situations. Remember that the amp’s emulated line out can be used to record it!
The Fly 3 may be placed in a briefcase and brought anywhere you’re carrying your guitar, powered by a 6.5V DC power supply or a half-dozen AA batteries. You can even leave your guitar at home and play some tunes over the 1/8″ auxiliary input when you get to the beach; the choice is yours.
At the best of times, we enjoy Blackstar’s ISF feature, which is an all-in-one global EQ control that lets you choose between “British,” which has a punchy midrange, and “American,” which has a touch more bottom and top to it, a la old Fender amps.
The fact that it has a built-in digital delay effect is incredible for an amplifier at this price point, so keep that in mind when looking for a tiny amplifier.
You can plug it into a wall outlet, but the main benefit of this little amp is that it can be taken outside and played wherever you like because it is powered by batteries.
If you wish to play any backing tracks, songs, or other audio files through the amp while you’re playing, the Aux input is always useful, and the headphone out can be useful if you can’t afford to make any noise at all in specific situations.
If you plan to record music using this amp, the simulated line out is a nice feature. Instead of having to deal with the inconvenience of recording with a microphone, you can simply plug this into your audio interface and record quickly and easily.
We like that the amp is compact, that it’s battery-powered, that it’s not made by a major company, and that its retail price is modest. So you’re probably not expecting much from the Blackstar Fly3, but that’s where you’re mistaken. This small amp, according to a huge number of guitarists, can do it everything.
Obviously, 3-W into a 3-inch speaker isn’t going to break any glass, and we can’t anticipate a tsunami of low-frequency power–but it’s more than adequate for solo bedroom listening. The sound is also crystal clear and pure, which is extremely Blackstar.
Even at high volume settings, you may anticipate some nice crunch and thickness by increasing the Gain. There are no plastic buzzes or rattling. Engage the OD switch to get a dirtier version of the same amazing sound — it won’t be bubbly or intense, but it will be overdriven.
The Blackstar Fly 3 isn’t for you if you’re seeking for the greatest amps for heavy music. Its rock sound is light, yet given its diminutive size, it’s a powerful amplifier.
Even with Volume at maximum, there are no rattles or plasticky buzzes when the Gain is increased. When we turn on the OD switch, we get a dirtier version of the same fantastic sound — it’s not harsh or bubbly, just overdriven.
Things To Consider When Purchasing The Best Bedroom Amps
Exercise Friendly Features
Whether it was jamming with their favorite CDs or learning scales with a metronome, musicians have always relied on external bits of gear to help them. Most of what a guitarist needs can now be found in a guitar amp, since they’ve become more complex.
At the very least, most practice amps have an AUX-in and a headphone-out. Aux-in allows you to connect another device and have its sound play via the speakers (some amps come with backing tracks, but they’re more limited than that, which you may get online).
It’s a huge aid if you’re dealing with funding. Having a headphone-out port is essential if you want to practice in the privacy of your own home.
Having a small amplifier is useful for practicing at home and warming up before a performance. Portable amps are great for home practice, since they can be easily moved from one location to another. As a result, you’ll require a bulb with a lower wattage if you fall into the latter category.
If the size of your amplifier’s speaker (8-inch or less) isn’t a major consideration for you, you may choose a micro-amp (an amp approximately the size of a coffee cup).
Power Rating and Speaker Size
Watts are used to describe the amount of energy an amp produces. Generally speaking, the louder an amplifier is, the higher its power score. A solid-state amp with a 100-watt output is often plenty for gigs. However, for practice, you don’t need a certain wattage as long as it is noticeable to you.
Another critical characteristic to verify is the size of the speakers themselves. Smaller speakers often struggle to create low-end frequencies, resulting in a sound that is perceived as being thinner than that produced by a larger speaker — especially when performing with others. However, as speakers grow in size, the weight and lightness of their accompanying amplifiers increase.
Lucky for solo practice, speaker size is less of an issue when amps employ cabinet and modeling simulation.
There is a lot of variation in the positive and negative tone that people use. One piece of gear can’t be compared to another in terms of how bad it sounds, or even how much better it is. There are, however, a few things to look for in a collection of fitness amps.
If you want to utilize an amp as a permanent practice tool, you should look for a tone that is easy to produce with any kind of music you want to play.
Amplifiers capable of producing clear sounds are ideal for stateside performances. Like a metal amp, it is probable that you will desire a dedicated metal amp.
Modern amplifiers have the ability to imitate other amp cabinets, which has a significant impact on your sound’s character. A 412 stack response may be emulated by placing your amp in such a way that it adds depth and presence.
If you want it to have more of a response like a small combination, you may alter the settings to emphasize its punch and tone. You may even put it in the middle.
In addition, many amps come pre-programmed with a variety of settings, usually in the form of a clean or twisted tone. If you’re looking for a wide range of colors, these options allow you to rapidly switch between highly clear and distorted.
There are several practice amps that are twice as good as modeling amps, including presets with well-known results. Amps that accomplish this usually have a solid example of everything, so you have fundamental controls like distortion, overdrive, fuzz, delay, and modulation (chorus, flange, phaser, tremolo, and vibrato).
The built-in effects you’ll benefit from will depend on what you’re going to be doing. To perform a variety of genres, an amp with several built-in effects is likely to be a benefit.
However, if you don’t plan on utilizing effects, you’ll save money by not purchasing an amp with built-in effects (although this will depend on your budget).
It looks like you’ve just seen our list of the best amps for practicing in your bedroom. You’ve chosen the right thing for you. Please think about the things we’ve talked about above when you choose the best Bedroom Amp for you. You can’t go wrong with any of the items on our list. These are products that have been carefully chosen based on feedback from customers and music professionals.
This FAQ is here to solve some of your questions regarding Best Amp for Bedroom.
Is 15 watts too loud for bedroom?
What amp size do I need?
As a general rule, you should choose an amplifier that can deliver two times as much power as the speaker’s program or a continuous power rating. In this case, an 8-ohm speaker with a 350-watt program rating will need an amplifier that can put out 700 watts into that same 8-ohm load.
Hi, my name is Afnan Bin Ibrahim, and I’m an aspiring freelance writer. Read more